Kathryn Newton | Teeing Up That Formalistic Whimsy

For Issue 186, The Spring Formal Issue.

Kathryn Newton has just landed back in Los Angeles from Paris Fashion Week, where she attended the Givenchy Autumn/Winter 2023 show at the École Militaire. “It’s so beautiful. It’s so inspiring. The people are just cool,” she says of the French capital. Newton has just wrapped up the press tour for Marvel’s Ant-Man and the Wasp Quantumania, which involved a whirlwind tour of New York/LA/New York/LA/Toronto/London/New York —then 20-odd hours in Milan for the Tod’s show, home for the SAG Awards, and back across the pond for a quick jaunt in Paris.

Newton’s no stranger to the mayhem—nor to the fashion—having been on the job (the acting job, that is) since she was four.It was on set that she found her love of fashion. As we chat, she pulls up a photo of herself as a child, on the set of All My Children, clad in a corset, hair curled, covered in bows—not entirely out of the realm of possibility for Newton’s current-day outfit choices.
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